
‘Hasselnotion Student’s House’ 2020 by Anonymouse on display at Skissernas Museum in Lund, southern Sweden, June 27, 2025. (AP Photo)
Tiny mouse-sized record stores. Hidden bakeries. Secret castles. For nine years, miniature wonders kept appearing on city streets—from Sweden to Canada. No one knew who was behind them. But now, the mystery has finally been solved.
The anonymous duo behind the globally admired “Anonymouse” street art project has stepped into the spotlight—just as they’re saying farewell to their whimsical world.
A Whiskered Mystery Comes to Light
It all began in late 2016. On a street in Malmö, Sweden, passersby discovered a tiny restaurant called Il Topolino. Next to it stood a nut delicatessen named Noix de Vie. Both looked like they were made for mice—and they were.
There were no explanations, only a small label: “Anonymouse.” From there, the mystery snowballed.
Viral Mouse-Sized Magic
The tiny structures gained massive attention. Crowds gathered. Photos went viral. Even The Late Late Show with James Corden featured the mouse-built world. What began in Sweden soon popped up around the globe—from the U.K. and the Isle of Man to faraway Canada.
Each creation was rich in detail, humor, and heart. In Lund, a mouse-sized record store named Ricotta Records featured clever covers like Back to Brie by Amy Winemouse and Goodbye Yellow Cheese Roll by Stilton John. Pure delight.
Meet the Artists Behind the Whimsy
After nearly a decade of secrecy, the creators finally revealed themselves earlier this year. Elin Westerholm and Lupus Nensén—both professionals in film and TV set design—were the masterminds.
The idea was born in 2016 during a trip to Paris. Inspired by Montmartre’s charm and Art Nouveau, they spent six months on their first build. Then one night, they quietly installed it on Bergsgatan in Malmö. Their goal? To bring joy and spark imagination—especially in children.
“We’re building something that speaks to the child in all of us,” said Nensén.

A Farewell at the Museum Worth Exploring
Now, their work is being celebrated at the Skissernas Museum in Lund, near Malmö. The exhibition features six of their original street installations, along with design sketches and behind-the-scenes materials.
The exhibit runs until late August.
But this is no ordinary gallery setup. True to Anonymouse’s spirit, the miniatures are hidden throughout the museum.
“They are not in typical places,” said curator Emil Nilsson.
“There’s one in the basement, one on a balcony—it becomes a kind of treasure hunt.”
Visitors are encouraged to seek them out, just like the original installations on city streets. “I hope people leave with a sense of adventure,” Nilsson added.

After years of secrecy, laughter, and wonder, Westerholm and Nensén have decided to bring Anonymouse to an end.
“It’s been nine years,” said Westerholm. “It’s time.”
Still, when asked if they’d ever surprise the public with another tiny masterpiece, Westerholm smiled and said, “We never know. We can’t promise anything.”
And just like that, the mystery lingers—much like the magic they’ve left behind.

Art That Found Its Way Into Hearts
What made Anonymouse special wasn’t just its scale. It was the spirit. Each installation invited discovery, wonder, and a touch of mischief. Their art made cities feel magical again.
As the world says goodbye to these mouse-sized marvels, one thing is certain—Anonymouse may be gone, but their charm will be there in every smile they sparked.

