
A scene still from 20th Century Studios’ PREDATOR: KILLER OF KILLERS, exclusively on Hulu. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios.
The Predator franchise finds new life in a bold, animated chapter titled Predator: Killer of Killers. Directed by Dan Trachtenberg with Josh Wassung of The Third Floor, this three-part anthology reimagines the iconic alien hunters with style, grit, and an impressive narrative range.
Premiering on Hulu on June 6, the series doesn’t just retell familiar tales — it expands the Yautja mythos across centuries, settings, and storytelling tones.
A Hunt That Spans the Ages
Killer of Killers opens in 841 AD with Shield, where Viking warrior Ursa (voiced by Lindsay LaVanchy) seeks revenge. Her brutal journey through snow-covered lands is disrupted by a new enemy — a deadly Predator drawn to human conflict.
The story then leaps to Feudal Japan in Sword, where sibling rivalry between a samurai and a ninja (both voiced by Louis Ozawa) invites yet another lethal visitor. Their clash is precise, elegant, and culturally grounded.
Finally, Bullet brings us to the skies of 1941. Aspiring pilot Torres (Rick Gonzalez) encounters a cloaked killer while navigating chaotic aerial dogfights. Unlike the seasoned warriors before him, Torres must rely on instincts and wits.
Each tale stands apart. The raw power of Vikings, the grace of samurai, and the chaos of WWII combat shape the tone of their respective stories. The transitions are smooth, and the variety keeps viewers on edge.
Brutal, Beautiful, and Boldly Animated
Visually, Killer of Killers is nothing short of stunning. Inspired by Arcane, the animation is gritty, fluid, and expressive. The R-rating is put to full use — beheadings, maimings, and brutal fights feel intense yet artistically crafted.
This is not gore for gore’s sake. The carnage supports the characters' arcs, showing their courage, sacrifice, and humanity when faced with unstoppable killers. Despite short runtimes, each character earns empathy and respect.
Not Just a Bloodbath
While the Yautja are central to the action, the heart of this anthology lies in its human stories. Whether it’s Ursa’s rage, the brothers' honor, or Torres’ determination, the emotional stakes remain high.
The episodes aren’t just linked by alien mayhem — they’re connected by a deeper theme of duty, legacy, and the relentless pursuit of survival.
A Clever Bridge to the Future
Just when Killer of Killers seems like a stylish standalone, the final act introduces a surprising link to the larger Predator universe. Thanks to screenwriter Micho Robert Rutare and Trachtenberg’s vision, the closing moments tease what’s next.
Clever callbacks like the 1715 flintlock pistol and Michael Biehn’s voice cameo add nostalgic charm. Yet, they never overshadow the new characters or stories.
A Fresh Kill Worth Watching
Far from being just a prelude to Predator: Badlands, Killer of Killers stands tall on its own. Its ambition, storytelling, and visual craft elevate it beyond expectation.
The hunt is on — and this time, it’s animated, unexpected, and utterly riveting.